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Almand by Grant Colburn

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Almand in an early style by Grant Colburn. Website at: http://www.angelfire.com/music... and with other composers at www.vowsaeculorum.org.The composer Grant Colburn was born in Wisconsin in 1966. Always one to search for the obscure and out of the ordinary in music, the late 70's found him taking an interest in the harpsichord after hearing a recording by Igor Kipnis. Shortly after he attended two summers of harpsichord workshop studying with Igor Kipnis at the Indianapolis Early Music Festival. During this time he began writing his earliest compositions in a period style.Since this time Grant Colburn has written and self published four books of period music. The first called A First Collection of Lessons for the Harpsichord or Organ contains his earliest pieces in the baroque style. The second completed book, Six Setts of Lessons for the Harpsichord along with the third book recently completed titled Six Easy Lessons for the Harpsichord are both highly influenced by the keyboard music of Handel's English Contempories. A fourth book is also in print called A Renaissance Miscellany, which in addition to keyboard music also has instrumental music, songs, and rounds ranging in stylistically in time from the early to later 16th century.Two other books are also in the works. The first will be harpsichord music inspired by the slightly earlier generation of post restoration English composers, and the other a new collection of Renaissance music. Recently Colburn was the author of a feature length article in the summer 2007 issue of Early Music America Magazine on period composition and appeared at this year's Boston Early Music Festival playing his own compositions. He is also active as a member of Vox Saeculorum and a member of the Delian Society. Currently Grant Colburn lives in Green Bay, Wisconsin where in addition to composing, he is an organist, piano teacher, rock musician, and freelance pianist and accompanist.

Channel: Music
Uploaded: November 30, 1999 at 12:00 am
Author: ernststolz

Length: 02:07
Rating: N/A
Views: 2340

Tags: allemande  almand  baroque  cembalo  clavecimbel  clavecin  colburn  grant  harpsichord  klavecimbel  

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grantco131313 (November 30, 1999 at 12:00 am)
Hello FoliesEspagne,If your hope was actually for there to be "sheet music of the recording" rather than the other way around, there is a score which I could send you in pdf. Just let me know,Grant Colburn
ernststolz (November 30, 1999 at 12:00 am)
thanks, sometimes I just put some tags and not all, but I added your suggestion.
FoliesEspagne (November 30, 1999 at 12:00 am)
Extremely nice to hear and see a great composer and performer in the traditional style. I hope some day there will be a recording of the sheet music. (btw Ernst why don't you use the tag 'clavecin' because you use the new spelling of the Dutch word 'klavecimbel', the English hpschd, the Italian 'cembalo' but with this piece I instantly think in the French 'pièce de clavecin' which is absolutely wrong of course but it sounds very controlled and noble somehow). Thank you so much again.
apollonmusagete (November 30, 1999 at 12:00 am)
Grant Colburn is an unsung genius who is finally getting his due thanks to such fine performances. He has proved that the baroque style is a living tradition that remains relevant to modern ears, and that modernity itself can only be understood by graciously acknowledging the enduring presence of the past.Thank you, Ernst, for the musical intelligence and artistry that it takes to make this so abundantly evident. I hope to hear much more new baroque music!
ernststolz (November 30, 1999 at 12:00 am)
You can read it in my profile. It's french.
GaleoDeus (November 30, 1999 at 12:00 am)
What kind of harpsichord is that? It looks Flemish because of the range and single manual, but it has a reverse keyboard and no papers, and that is French.
grantco131313 (November 30, 1999 at 12:00 am)
Hi Sargirlsusan,I guess to answer your question, I'd have to say its the wrong question ;-) "Any" piece CAN'T sound like a baroque piece, any more than one could change a polka to sound like an Indian raga. Its a different style and would need to be approached as one. The only way to write accurate baroque is to play and listen to a lot of baroque and also learn the music theory behind it. And even THEN probably not everyone could do it. But its always worth a try!
stargirlsusan (November 30, 1999 at 12:00 am)
i love how well you play in Baroque style.i like baroke style and i got aquestion for you: how or what are the keys to make any piece sound in baroquean style
NorbertZF (November 30, 1999 at 12:00 am)
I'm VERY glad to see AND hear that I'm not the only one who composes and plays in the Baroque style. I just have trouble writing it all down but I improvise at the drop of a hat. Your music is masterful and the playing by Mr. Stoltz as well. It proves that the style is hardly what anyone would call "dead". Thanks much for the beautiful Allemande.!!!
grantco131313 (November 30, 1999 at 12:00 am)
Shhhhh, not so loud! The classical people might hear you :-)




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